Music Concert Report Essay Example for Free

Music Concert Report EssayThe highly respected jazz trinity made up of pianist measuring stick Charlap, bassist Kenny Washington and drummer Peter Washington mashed for about an mo an a half. Their smooth melodies and precise playing worked perfectly together to give a great carrying into action against the New York City skyline at Dizzys Club Coca-Cola. The trio opened up the show with a stress called bedfast telephone April.The outcry was originally written in 1941 by Gene de capital of Minnesota (Wilson, McElrath, Tyle). severely look upon April first per chassisance was in a very atypical setting. The song was non performed in a Broadway play or deal Club but rather the 1942 copedy Called torment Em Cowboy. Actor Dick Foran sang the song in what a critic at the m called, Ill Remember April was an oasis of sanity in the madness (Wilson, McElrath, Tyle). Although an odd start the icon rile Em Cowboy proved to be signifi push asidet in the Jazz community for a nonher ground as hygienic.In the movie the famous jazz vocalist Ella Fitzgerald appe ard in her first film single-valued function playing an employee at the dude ranch named Ruby (Ill Remember April (1941)). She projected a light, frothy, easy-going humor in her performance of A-Tisket, A-Tasket (Ill Remember April (1941)). This movie brought out just how significant jazz harmony was at the m beca rehearse it made a mediocre film uprise to life. This was not Gene De Pauls first time creating a brilliant jazz song.The pianist, composer and arranger had written many songs before for Hollywood films and Broadway shows much(prenominal) as You Dont chicane What Love is and Star Eyes (Ill Remember April (1941)). He had worked with many lyricists before but on this particular proposition song Gene de Paul worked with his friend Don Raye and Patricia Johnston (Ill Remember April (1941)). The lyrics portrays two distant lovers remembering the ultimo and have a close connection with Dorothy Fields The Way You Look Tonight (Ill Remember April (1941)).The song entered the pop charts in the spring of 1942 after being preserve by Woody Herman and his Orchestra. The song did not catch on quickly because it differed in many ways from the typical pop song of the time. The line and form separated Ill Remember April the most from other music of the time. Songs of the time usually followed an A-A-B-A form, reiterate a lot giving it a catchy tune. Ill Remember April however, used a 48-bar A-B-C-D-A-B form making it seem long and dragged out compared to other popular jazz songs. Wilson, McElrath, Tyle) Beboppers Charlie Parker and Bud Powell were among the first to research the songs unconventional structure, followed by an influential 1950 recording by Red Norvos trio with Tal Farlow and Charles Mingus (Ill Remember April (1941)). The actually musicality of the song is quite complex with many chord changes and key changes. The song starts get through in G but has a false key change to Bb major during the first octad measures of the bridge (Wilson, McElrath, Tyle). The tone of the song is major it moves rather step wise throughout.The chord progression of the song is a twist and turn roller coaster taking you from a G to a E major back to the G then to a D7. This is outstanding because it allows for many different substitutions of chords and improvisations. (Wilson, McElrath, Tyle) One of the most important and defining elements in Jazz is improvisation. It is expected that during any jazz performance one or more musicians will improvise. Improvisation is so common that most of the time a musician will not perform the same piece the same way twice.However the freedom given to jazz musicians does come with some boundaries. Ill Remember April gives much leeway to improvisation as long as they are chosen carefully so as to at least imply a logical charitable progression (Wilson, McElrath, Tyle). Typical jazz instruments are the sax, clarinet , flute, vibraphone, trumpet, piano, guitar, banjo, tuba, double bass, bass guitar, vocals, trombone and drum kit. The size of the band can vary greatly in jazz however from an ensembles which can have as little as two people to big bands that can have as many as 30 people.The Jazz show that I dictum was a trio including a pianist, bassist and drummer. The setting in which I cut ll Remember April performed is much different then the setting I would have seen it in 1942. I saw the song be performed in a rather fancy evening setting at a Jazz Club where there was dinners and drinks being served. The club was modern and well designed. The backdrop behind the performers was a large window outlooking part of the New York City skyline.Around 75 people went to the club to catch out a well respected trio play their rendition of Ill Remember April, as well as several other songs. In 1942 I would not have been able to go to a club one night and be served dinner as I listened to a band play the song. At first the only way to hear the song was in the movies it was feature in. The song was featured in the 1942 film Ride em Cowboy as I had mentioned earlier, it was besides in the 1942 movie Strictly in the Groove and was again featured in the 1945 movie Eve Knew Her Apples.It is not until after that I would have been able to sit down at a jazz club or concert hall to see the piece be performed. Anita Boyer recording of Ill Remember April appeared on the album The nat King Cole Trio The MacGregor Years 1941-1945 disc 4 (Wilson, McElrath, Tyle). Since then Ill Remember April has been recorded hundreds of times by various artists throughout the years. The songs unconventional characteristics became assets, and it found favor as a bop vehicle (Wilson, McElrath, Tyle).Each performance of Ill Remember April takes on its own indistinguishability according to the performer. Artists have put their own twists on the song sometimes even implying a Latin-feel or they have stuck cl ose to the original. The aspect of flexibility while maintaining the same brilliant theme makes Ill Remember April so exciting making artists recreate the classic for years. Before going to the concert I listened to Ill Remember April performed by Charlie Parker. Charlie Parker was an extremely influential jazz saxophonist. He recorded Ill Remember April on July 5, 1950.While having the same melody Charlie Parkers version of Ill Remember April and the shoot Charlap Trios version differed greatly. The biggest difference was the use of instruments. The flush Charlap Trio did not include a saxophone. I had expected to hear a saxophone so at first it took a second for my ears to adjust when the Bill Charlap Trio began to play the song. I personally preferred the saxophone. I thought it gave the song a very demanding tone catching the audiences prudence while at the same time it gave the song a very magically, flowing feeling.The saxophone was also backed up by other instruments like the piano which gave it a full rich sound. The piano, bass, and drums of the Bill Charlap Trio also gave a good performance however I felt it lacked a shit lead instrument how the saxophone did for Parkers rendition. One aspect I did like more in the Bill Charlap Trios version was the elongated piano solo. Solos are very important in jazz music and they come often. Solos give artists the opportunity to improvisation keeping the piece fresh and giving it an element of surprise.Throughout the Bill Charlap Trios performance there were many solos. In Ill Remember April it was the pianos time to shine. I enjoyed the solo because it showed kill Bill Charlaps talent and kept the piece exciting. An interesting aspect of his solo was he included a verse from Dorothy Fieldss The Way You Look Tonight which as I mentioned earlier gave inspiration to the writing of Ill Remember April. Overall I enjoyed listening the piece live better than the recording because it allowed the music to come ali ve rather than just listening to a recording.Going to the concert opened my eyes to what seems to be a whole new world. I was very anxious and nerve about what to expect when I went to the Jazz Club but when I got there I was pleasantly surprised. The music was entertaining and I loved the experience. Looking up the history of the songs continued to spark my interest. It is very interesting to see how music written seventy years ago is still influential and played in modern settings such as a Jazz Club.